George Evans (Feb. 5, 1920 - June 22, 2001) is widely recognized as one of the comic field's greatest illustrators, with over a half a century of both comic and comic strip art and stories for almost every major publisher. An aviation buff, his airplane covers are easily recognized, and his proficiency for drawing them led to his showcasing in probably the last great aviation comic ever produed, E.C.'s Aces High.
February 16, 2010
February 3, 2010
Man Rant: This Week's Exercise -- Snuggling
Welcome to another edition of the wonderful world of emasculation! I'll be your guide, as we check our nuts at the door, strap on an apron, and just talk about how we've been feeling about things. Chamomile tea and ginger snaps will be served, so don't be shy. You're among friends.
First order of business on the agenda. Snuggling. The act of intimacy without actually being intimate. Sharing space without the moving parts. Cuddling. Spooning. Post-coital warmth redistribution. Refractory tenderness. Coyote breakfast (i.e., where you'll bite your arm off before you'll wake up the other person and actually have to talk to them).
Now before this devolves into accusations of misogyny and chauvinism, let it be known that there are some tangible enjoyable advantages to the experience. There is the very obvious benefit of warmth, particularly in a temperate or colder climate, in a house or apartment with inefficient heating (old windows, lack of insulation, frequent cold snaps, etc.). The utility of a warm body on a cold night cannot be understated, particularly if you don't have a dead tauntaun you can crawl into. There are also the long-term practicalities of discussing the varied and sundry aspects of life and love while in a supremely vulnerable position of slightly pajama-ed or straight-up starkers. The mere act of naked vulnerability lends credence and solidity to any affirmative statement of support or love, because let's face it, there's a very limited palate of body language you can throw out there when you're pinned into the mattress. The fight or flight mechanism is under an arm-bar submission hold. In the absence of actual sleep, you either feign sleep (keep your faux-snoring consistent and light, though, to deter suspicion), or you make a good faith effort to ponder the romantic imponderable, and hope any unachievable or patently false pillow-talk wasn't recorded (by electronic or mental lockbox means) for regurgitation at the next available inopportune instance. So believe what you say and say what you believe when in the upright and locked snuggle position. Because a betrayal of snuggle conversation is a betrayal of a sacred trust. That shit will haunt you the entire relationship, for as long as the little time it still lasts.
That's not to say that the snuggle option doesn't have its blatant abusers, though. There are some distinct acts of snuggle malfeasance that deserve recognition and analysis. There is the bedding hog, of course. That guy/gal who agglutinates every square inch of every sheet, blanket, comforter, and pillow on the bed like a black hole of linen. Which then leads into the tug-of-war throughout the night, where neither party gets full body coverage, and thus frost sets in on the lower extremities.
And this directly impacts another continual complaint. Feet colder than a well-digger's ass. My girl, hell, all my once and future lovers, have had feet that felt like the surface of Pluto. There's nothing more shocking to the system than settling into bed, nodding off to semi-sleep, and then having Little Miss Cold Miser plant both frigid footpads on the thighs, top of the feet, or on numerous occasions, my flubby ass-cheeks. There's probably no real chemical reaction to speak of, but it certainly resembles from a sensory standpoint to be what would happen if you poured liquid nitrogen into a roaring fireplace. Good god, woman, have mercy.
That's momentary pain, for the most part, at least. Perhaps worse than the serial bed sheet consolidater is the space shrinker. Currently, my fine lady likes to squeeze me into a strip of real estate on one end of the bed the width of a couple of saltines. Resembling nothing less than a cuddling bulldozer, she pushes me into a Tempur-Pedic OK Corral and forces me to make a last stand for bed autonomy. But I have simply learned that I cannot win against her nocturnal Manifest Destiny, and have come to accept that spatially, for all intents and purposes, my king-size bed is a twin bed with delusions of grandeur.
It takes a wise person to know they've already been defeated before the game starts. Snuggling is a no-win proposition. If you want the happy and frequent sexytimes, then cuddling is a necessary post-game news conference you have to show up for, answer questions, and face the music. Enjoy it whenever possible. But give no quarter on the side battles involving territoriality, bedding theft and cold fusion of the limbs. Once a snuggling precedent has been set, the die is cast. There's no going back.
Thus endeth the tea party.
February 2, 2010
Lost: Season 6 Premiere Tonight -- WALLLLLTTTTTTT! GIVE ME BACK MY SON!
WARNING: If you haven't caught up with Lost through the fifth season finale, you might want to skip this discussion. Spoilers this way be.
Unlike apparently most of the television viewing universe, I've only been a Lost fan for about a month now. Thanks to the good folks at Netflix streaming, and owing to my obvious lack of any semblance of a consistent social life (Divorced and Proud! Say it Loud! No, I'm not a loser! I call it solitude not loneliness! Freebird!), I was able to knock out all five previous seasons in about three weeks. It's easy to say after the fact, but I don't think I could have enjoyed it any other way, particularly with all the hiatuses (hiati?), months between finales and season premieres, writer's strike, etc. That makes some seasons seem a little choppy (or alternatively meandering) when viewed in big blocks. (Season 3 in particular feels rushed and truncated, even though there's a lot of meaningful action and piece-moving going on). But viewing it en masse lends one to see some of the bigger picture narrative themes running through the show. Some more obvious than other. And it will be incredibly interesting seeing how those themes carry all the way to the end, whether they get resolved, or not get resolved in satisfactory ways, and of course, the last thirty seconds or so of the final episode of the series (Will it be ambiguous and without closure ala The Sopranos fade-to-black? Will it be a "what was shall always be" Battlestar Galactica warm-and-fuzzy ending? Will Jack wake up in a bed next to a CGI-rendered Suzanne Pleshette?)
Of course, the most basic conflict running through Lost is the competing concepts of faith (represented by Locke) versus reason (represented by Jack). The elements of faith, as represented by the admonitions declaring "destiny," the healing power of the island, the mystical and mythological components of the temple and four-footed statue (including Jacob, the man in black, and perhaps immortal Richard Alpert), as well as the continuing presence of ghosts and smoke monsters, face off against the structured reality of science (more accurately, science fiction) with time travel, electromagnetic charge-releasing clock timers, medical experiments, sonic disruptors, donkey wheels causing spacial and temporal displacement, hydrogen bombs, and escaped polar bears. Put it simply, it's the Dharma Initiative (science) battling with The Others (faith) over control of the island. Where the future for the passengers of Flight 815 break down depends on whether they put their stock in either faith or science, Locke or Jack. Neither of them has been particularly successful as of late at providing either answers or security to the rest of the survivors and both have questioned whether they were on the right path in Season Five.
So with the hydrogen bomb going off and potentially setting the clock back to before Desmond decided not to press the button in the hatch, we may see what happens when the passengers land in Los Angeles as originally planned. The key is whether they remember their time on the island or not. Particularly those passengers who died the first time around. And what happens with those who already left prior to the reset? Walt? Aaron? Do they get poofed out of existence, or just go back to their assigned seat and amniotic fluid, respectively? Since the actor who played Walt has definitely reached puberty since 2004, I'm wondering how they find an out, story-wise or actor-wise. And how will it tie in with the overarching narrative of faith versus reason? Will Locke still be paralyzed (or dead if Jacob didn't "heal" him after his father tossed him out an 8th floor window)? Will Not-Locke still exist? What about Jack's father? Still dead? Will his casket go missing? Obviously there will be a schism between what can and did occur scientifically and what happens more or less magically due to the island reset. But, obviously, life cannot just go on as if nothing happened when and if they land at LAX in September, 2004. Whether Jack settles on faith, and Locke on science, or neither, could be the deciding factor in how the whole shebang shakes out.
I'm rooting for Vincent the dog to be the key, though.
(Any and all thematic and guessing questions welcome in the comments! I'd love to discuss.)
You Stay Classy, Japan!
Why even attempt to find a real girl when "enhanced" mouse pads, painted pillows, and computer-generated babes do the trick? Kink's fun, I get it, but there's a pretty well-lit line to cross into "sociopath who probably needs therapy" and it seems that there's a fair amount of this stuff coming from the Land of the Rising Sun.
February 1, 2010
Golden Age Artist Spotlight -- John Stanley
Like Carl Barks, John Stanley might not have known the breadth and width of his influence on potentially millions of boys and girls, as well as those who appreciate a perfectly scripted and story-boarded ten-page story (with finished art by Irving Tripp in many cases). Stanley created wonderful stories involving Little Lulu (and Tubby) from 1945 to 1959. Frequently overlooked, but never forgotten, John Stanley leaves a legacy of hundreds of stories and pictures that continue to entertain and amuse.
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